Overview
Ricerche: three uses Pier Paolo Pasolini’s brilliant 1963 film, Comizi d’Amore as the guidepost for a contemporary inquiry into the “sexual problem” in the United States. While the political climate in post-war Italy in 1963 was deeply distinct from that of the United States in this contemporary moment, both are sites of a persistent political condition in which so-called value-based policy and ideology act out symptomatically to cover up underlying economic and political vulnerabilities.
Year 2013
Studio
Director Brooke O'Harra
Crew Brooke O'Harra (Director), Sharon Hayes (Writer), Sharon Hayes (Editor), Sharon Hayes (Producer), Michelle Lawler (Director of Photography)
Popularity 0
Language English
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